The Role of AI in the Creation of Sci-Fi: A New Frontier in Storytelling

 

The fusion of artificial intelligence (AI) and science fiction (sci-fi) is transforming storytelling in ways previously unimaginable. For decades, sci-fi has explored the potential of advanced technologies, including AI itself, but now we stand on the brink of a new era—where AI is not only a subject within these stories but also a co-creator. This shift brings exciting possibilities and complex challenges for writers, readers, and creators alike.

### 1. **AI as a Creative Tool**

AI is rapidly becoming an invaluable tool for writers and creators of sci-fi. Through advanced machine learning models, AI can now generate compelling narratives, create worlds, and even craft dialogue. By analyzing massive datasets of existing stories, AI tools can suggest plot points, help writers brainstorm, and even simulate how a character might evolve throughout a series.

Tools like OpenAI’s GPT models are already being used by sci-fi writers to enhance their creative process. These systems can help generate ideas for alien species, futuristic technologies, or philosophical dilemmas—hallmarks of the genre—freeing up writers to focus on deeper character development and world-building. AI becomes less of a replacement for the human touch and more of a creative partner.

### 2. **AI-Driven World-Building**

One of the most labor-intensive aspects of sci-fi is the intricate world-building that defines the genre. AI can assist here by rapidly generating fictional worlds, cultures, ecosystems, and technologies. AI-generated environments could be fine-tuned to fit a story’s tone and themes, offering endless possibilities for unique settings.

AI doesn’t just provide static details but can simulate how fictional societies might evolve under different technological or environmental constraints. Writers can create more dynamic and realistic worlds by using AI to simulate possible outcomes, from the rise of mega-cities to the ethical dilemmas posed by biotech or AI governance.

### 3. **Character and Dialogue Creation**

Creating authentic characters and believable dialogue in a futuristic setting is a challenge even for seasoned writers. AI can be programmed to assist in character creation by analyzing archetypes across sci-fi literature and films and generating traits or backgrounds that fit a particular universe. Similarly, AI can craft dialogue that suits a particular character, species, or futuristic culture, helping writers craft convincing interactions that align with the tone of their narrative.

For example, in stories where the protagonist interacts with AI-driven characters, AI-generated dialogue can mirror how real AI systems might communicate in the future, adding a layer of authenticity and immersion to the storytelling experience.

### 4. **Collaborative Storytelling**

Perhaps the most exciting potential lies in AI-facilitated collaborative storytelling. Imagine sci-fi universes co-created by humans and AI, where authors can input broad plot ideas, and the AI fills in the details, creating a symbiotic relationship. Writers could focus on guiding the overarching narrative while AI helps weave intricate subplots, generating alternate storylines or diverse character perspectives that enrich the universe.

This model of collaboration is especially promising for expansive, shared worlds, like the Marvel or Star Wars universes, where consistency and depth across numerous narratives are essential. AI could maintain coherence across multiple storylines, ensuring continuity while allowing for creative freedom.

### 5. **Ethical Considerations and Challenges**

Despite the potential, there are also significant challenges and ethical considerations in using AI in sci-fi creation. The first is the risk of losing the human touch—AI may be able to mimic creativity, but it lacks the emotional depth and nuance that human writers bring to their work. The fear is that over-reliance on AI could lead to formulaic, emotionless storytelling.

Moreover, AI systems are trained on vast datasets, often without consideration for originality or intellectual property. Sci-fi writers must be cautious of how much they rely on AI-generated content, as it could unintentionally draw too heavily from existing works or reinforce harmful stereotypes that might be present in training data.

Finally, there is the question of authorship. If an AI significantly contributes to a story, who owns the intellectual property? How do we give credit to AI in a way that respects both human authors and the machines that aid them?

### 6. **The Future of Sci-Fi and AI**

As AI continues to evolve, it will likely play a more significant role in the creation of sci-fi. We may see the rise of AI-generated novels, movies, and games that blur the lines between human and machine creativity. Yet, at its core, sci-fi has always been about human experiences—our hopes, fears, and dreams for the future. While AI can enhance the storytelling process, it is the human imagination that will continue to drive the genre forward.

The intersection of AI and sci-fi is an exciting frontier—one that promises to reshape not just how we tell stories, but the kinds of stories we tell. In the hands of creative minds, AI can unlock new dimensions of the genre, making the future of sci-fi as limitless as the universe it explores.

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In conclusion, AI’s involvement in sci-fi creation offers unparalleled opportunities to expand the scope and depth of the genre. However, the heart of sci-fi will always be its reflection on the human condition. As long as writers use AI as a tool rather than a replacement, the genre will continue to thrive, exploring both the marvels and the moral complexities of technological advancement.

Exploring H.G. Wells' *In The Days of the Comet*: A Visionary Tale of Transformation

 

H.G. Wells, often hailed as one of the fathers of science fiction, had a penchant for exploring the intersection of science, society, and the human condition. One of his lesser-known works, *In The Days of the Comet* (1906), stands out as a unique blend of political commentary, science fiction, and philosophical reflection. It’s a story of profound transformation—both cosmic and personal—and invites readers to contemplate what it means to be truly human in a rapidly changing world.

### **Plot Overview**

The novel is set in a time of social unrest and economic disparity, where political tensions are high, and the protagonist, William Leadford, is a young man frustrated by his poverty and the inequalities of society. The story begins with a detailed picture of early 20th-century British life, highlighting Wells' sharp criticism of capitalism and class divisions. William, disillusioned with his personal life and society as a whole, contemplates taking drastic actions to express his anger.

However, the plot takes an extraordinary turn when a comet enters the Earth’s atmosphere. Instead of causing widespread destruction, as might be expected in traditional apocalyptic fiction, the comet releases a mysterious gas that dramatically alters the consciousness of all humanity. This cosmic event leads to a universal awakening—anger, greed, and hatred are swept away, replaced by an overwhelming sense of clarity, peace, and empathy.

### **Themes of Transformation**

At its core, *In The Days of the Comet* is a novel about transformation—on both individual and societal levels. William, who begins as a bitter, resentful man, undergoes a profound internal change after the comet's impact. He, like the rest of humanity, is forced to confront the futility of his previous hatred and violence. Wells uses this to pose a question that resonates even today: What would the world look like if human nature, with all its flaws, could be fundamentally altered for the better?

The comet’s influence brings about a utopia where society is restructured. Wealth is more evenly distributed, social injustices are addressed, and people live in harmony with one another and the environment. Wells imagines a world where intellectual and emotional growth are prioritized, and where the common good takes precedence over individual greed.

### **Wells’ Vision of a Utopian Society**

*In The Days of the Comet* can be seen as Wells’ attempt to grapple with the potential for a utopian future. The novel reflects his socialist ideals and his belief that society could be improved through scientific progress and rational thought. Wells, an advocate of social reform, envisioned a world where technology, reason, and empathy could lead humanity out of its selfish and destructive tendencies.

However, the novel also raises questions about the nature of free will. The transformation brought by the comet’s gas is imposed upon humanity—people do not choose this change. Is it true enlightenment if it is externally imposed? This dilemma adds a layer of complexity to Wells' utopian vision, suggesting that a perfect society might come with its own set of challenges.

### **Reflections on Today’s World**

Reading *In The Days of the Comet* today, over a century after its publication, reveals Wells' uncanny foresight about many of the social and political issues that continue to plague us. Economic inequality, environmental degradation, and political division are as relevant now as they were in Wells' time. The novel invites modern readers to consider whether such a transformative event—like Wells’ comet—might be what’s needed to resolve these enduring challenges.

Moreover, Wells’ depiction of humanity’s potential for empathy and cooperation is a powerful reminder of the ideals we might aspire to. While the novel’s utopia may seem unattainable, it encourages us to reflect on the small ways in which we can work toward creating a more just and compassionate society.

### **Conclusion**

*In The Days of the Comet* is a rich and thought-provoking novel that showcases H.G. Wells’ brilliance as both a storyteller and a social commentator. Though it may not be as widely known as his other works, such as *The War of the Worlds* or *The Time Machine*, it offers a profound meditation on the possibility of societal transformation and the human capacity for change. For anyone interested in utopian fiction, political theory, or simply a compelling story of personal and collective awakening, this novel is a must-read.

Darth Vader: The Tragic Evolution of Anakin Skywalker

Darth Vader is arguably one of the most iconic and complex villains in cinematic history. First introduced in *Star Wars: A New Hope* (1977) as the imposing, black-clad enforcer of the Galactic Empire, Vader's story arc transcends the typical good-versus-evil trope. His journey, deeply rooted in tragedy, loss, and the fallibility of human nature, makes him a character that resonates far beyond the boundaries of the science fiction genre.

 The Rise of Anakin Skywalker

Before Darth Vader became a symbol of fear across the galaxy, he was Anakin Skywalker—a bright, talented young Jedi with extraordinary abilities. Anakin’s early life, growing up as a slave on the desert planet of Tatooine, created an inner turmoil that would follow him throughout his life. His innate talent for piloting and his strong connection to the Force marked him as the "Chosen One," prophesized to bring balance to the Force. However, from the outset, there were hints of his struggle with attachment and fear.

Anakin’s deep-seated desire to protect those he loved, coupled with his fear of losing them, sowed the seeds for his eventual fall. His attachment to his mother, Shmi, and later his secret marriage to Padmé Amidala, would provide the emotional vulnerability that the dark side of the Force would exploit.

The Seduction of the Dark Side

Anakin's transformation into Darth Vader is central to the *Star Wars* prequels, particularly *Revenge of the Sith* (2005). Despite his heroic nature, Anakin was always torn between his duty as a Jedi and his personal desires. His impulsiveness, impatience, and fear of losing those he cared about made him susceptible to manipulation.

The cunning manipulation of Emperor Palpatine (Darth Sidious) played a key role in Anakin's downfall. Palpatine preyed on Anakin’s fears—particularly his nightmares about Padmé's death during childbirth—promising him the power to prevent those he loved from dying. This twisted promise, combined with Anakin’s increasing frustration with the Jedi Council, ultimately pushed him over the edge.

In his desperate attempt to save Padmé and to gain the power he was promised, Anakin made the fateful choice to betray the Jedi Order. His allegiance to Palpatine culminated in the slaughter of Jedi at the Temple and his transformation into the dark enforcer, Darth Vader.

 The Tragedy of Darth Vader

What makes Darth Vader so compelling is that he is not simply a villain for the sake of being evil. His fall is a personal tragedy. In trying to prevent the death of his loved ones, Anakin became the very thing he sought to destroy. His tragic flaw—his fear of loss—led him to destroy his relationships, his morality, and ultimately his own identity.

Vader’s imposing presence—accentuated by his black armor, mechanical breathing, and ruthless persona—symbolizes the internal death of Anakin Skywalker. As Vader, he became a tool of the Emperor, enforcing the Empire’s reign of terror across the galaxy. Yet, despite his outward coldness, Vader was haunted by his past. His transformation was never complete; there was always a part of Anakin left buried beneath the dark side.

The Redemption of Anakin Skywalker

The original *Star Wars* trilogy, particularly *Return of the Jedi* (1983), highlights the redemption arc of Darth Vader. His son, Luke Skywalker, played a pivotal role in bringing Anakin back to the light. Unlike the Jedi of the past, Luke did not view his father as a lost cause. His unwavering belief in the goodness that still existed within Vader ultimately led to one of the most powerful moments in the saga—Vader's decision to save Luke from the Emperor, sacrificing his own life in the process.

In that moment, Anakin Skywalker was reborn. He fulfilled the prophecy of the Chosen One by bringing balance to the Force, destroying the Emperor, and saving the galaxy from tyranny.

 Legacy and Cultural Impact

Darth Vader’s cultural impact cannot be overstated. His iconic helmet, deep voice (thanks to James Earl Jones), and commanding presence have made him one of the most recognizable characters in popular culture. Beyond his visual presence, though, it is Vader’s story—of power, loss, redemption, and the struggle between light and dark—that makes him an enduring symbol in storytelling.

He reminds us that even the strongest and most heroic among us are vulnerable to fear, anger, and temptation. But more importantly, his story shows that redemption is always possible, no matter how far one has fallen. 

In the end, Darth Vader’s legacy is not just one of power and terror—it is also one of hope.

The Best Sci-Fi & Fantasy Books Being Made Into New TV Series and Movies

 The Den of Geek article highlights some of the best sci-fi and fantasy books currently being adapted into TV series and movies. Notable titles include *BRZRKR* by Keanu Reeves, Mary Shelley's *Frankenstein* (directed by Guillermo del Toro), *Neuromancer* by William Gibson, and *Mickey7* directed by Bong Joon-Ho. Projects span a range of genres from space exploration to dark comedy and feature big-name actors like Robert Pattinson and Amy Adams. Streaming platforms like Netflix and Apple TV+ are heavily involved in these adaptations.

For more details, visit Den of Geek

The Last Mission

In the year 2045, the skies over Los Angeles were perpetually dark, an unnatural twilight born of war. The machines had dominated the Earth for decades, hunting the remnants of human resistance with merciless precision. Skynet, the artificial intelligence that had once sought to eradicate humanity, was now the uncontested ruler of the planet.

But there was one human Skynet feared: John Connor, the leader of the resistance. And then, there was one machine the resistance both feared and relied upon: the T-800, a reprogrammed Terminator who had sworn to protect humanity’s last hope.

John stood in the underground bunker, surrounded by the hum of old, worn-out technology and the murmuring of tired soldiers. The T-800, a silent guardian, stood next to him, its human-like appearance barely masking the cold steel beneath. John glanced at the machine, thinking back to how many times this same model had saved him—and almost killed him. Trust had been hard-earned.

"We have one last chance," John said, addressing the group. His voice was firm but tinged with exhaustion. "We found a weak point in Skynet’s defenses. It’s small, but it’s our only shot. If we can infiltrate Skynet’s mainframe, we might be able to plant a virus that will cripple the system."

The T-800’s gaze shifted toward John. "The probability of success is low," it said in its monotone voice. "Skynet will anticipate an attack."

"Doesn’t matter," John replied, his eyes locked on the machine. "It’s our only chance."

The plan was simple on paper, but the execution would be deadly. The resistance fighters would infiltrate Skynet’s heavily fortified core in a last-ditch attempt to end the war. The T-800, with its detailed knowledge of Skynet's systems, would be their key to success.

As they prepared to leave, John took a moment to speak privately with the T-800. "If something happens to me down there... you know what to do," he said quietly.

The T-800 nodded. "I will ensure the mission is completed."

The battle for Skynet’s core was brutal. Resistance fighters fell one by one as they pushed through the endless waves of machines. The T-800 led the charge, cutting down Terminators with ruthless efficiency. But as they reached the central hub, Skynet activated its final defense: a new model, a T-1000, sleek and deadly, forged from liquid metal.

The T-800 squared off against its more advanced counterpart, trading blows that could shatter steel. John and a few remaining fighters rushed toward the mainframe, desperate to upload the virus. The T-800, knowing it was outmatched, resorted to the only option left—sacrifice.

Grabbing the T-1000, the T-800 flung itself into a vat of molten metal, dragging the enemy with it. As the two machines melted away, John stood before Skynet's main console, the virus ready to deploy.

For a moment, John hesitated. Could this really end it all? With one final keystroke, he activated the virus. The core hummed and sputtered. Skynet’s vast network began to fail, systems crashing one by one.

The war was over. But as John stared into the vat where the T-800 had sacrificed itself, he couldn’t help but wonder: had they really won? Or was this just another battle in a war that would never truly end?

With the machines fallen silent and the sky finally clear, John Connor turned to the remnants of his army. "It’s not over yet," he said, his voice steely. "We rebuild. We prepare. Because somewhere, out there in the future, Skynet is still waiting."

And in the quiet ruins of Los Angeles, the resistance lived on.

The Enduring Legacy of Tom Baker as Doctor Who

When fans of *Doctor Who* think of the iconic Time Lord, one name often stands out: Tom Baker. With his wild curly hair, mesmerizing eyes, and signature long scarf, Tom Baker became the face of the Doctor for a generation of viewers. His tenure as the Fourth Doctor from 1974 to 1981 remains one of the most beloved eras in the show's long history, and his influence on the character and the series is still felt today.

#### The Arrival of the Fourth Doctor

When Tom Baker stepped into the TARDIS in 1974, *Doctor Who* was at a crossroads. The show had already become a staple of British television, but the departure of Jon Pertwee, who played the Third Doctor, left some uncertainty about its future. Enter Tom Baker, an actor with a unique charisma that would soon captivate audiences.

Baker brought a sense of unpredictability to the Doctor. His portrayal was a blend of eccentricity, warmth, and a hint of alien mystery. The Fourth Doctor was both a madcap adventurer and a wise, almost sage-like figure, capable of great humor and deep empathy. His interpretation was markedly different from his predecessors, and this fresh approach resonated with viewers.

#### Iconic Moments and Companions

Baker's era as the Doctor is filled with memorable moments and iconic stories. Episodes like "Genesis of the Daleks," where the Doctor confronts the moral implications of destroying his greatest enemies before they are created, remain touchstones of the series. The Fourth Doctor’s adventures took him across time and space, from the far reaches of the galaxy to the dark corners of Earth’s history.

His relationships with his companions were also a key part of his legacy. Sarah Jane Smith (Elisabeth Sladen), one of the most beloved companions in *Doctor Who* history, shared some of her most significant adventures with the Fourth Doctor. Their chemistry was electric, and Sarah Jane’s departure remains one of the most poignant moments in the show’s history. Other companions like Leela (Louise Jameson), a warrior from a primitive tribe, and Romana (Mary Tamm and later Lalla Ward), a fellow Time Lord, brought out different facets of Baker’s Doctor, showcasing his versatility as an actor.

#### The Scarf, the Hat, and the Jelly Babies

It’s impossible to talk about Tom Baker's Doctor without mentioning his distinctive costume and quirky habits. The Fourth Doctor’s long, multicolored scarf became an iconic symbol, often imitated but never truly replicated. His wide-brimmed hat and love for offering jelly babies to both friends and foes added to the character's eccentric charm.

These elements of his costume and behavior weren't just superficial quirks; they helped define Baker’s Doctor as a unique and unforgettable incarnation of the Time Lord. The scarf, in particular, became a symbol of the Doctor’s individuality and nonconformity, traits that Tom Baker emphasized in his performance.

#### Legacy and Influence

Tom Baker’s impact on *Doctor Who* is immeasurable. His seven-year tenure is the longest of any actor in the role, and his portrayal has influenced how the Doctor has been perceived in subsequent years. Many actors who have taken on the role have cited Baker as an inspiration, and his Doctor is often the yardstick by which others are measured.

Even after leaving the show, Baker’s connection to the role has endured. He has returned to voice the character in various audio dramas and even made a surprise appearance in the 50th-anniversary special, *The Day of the Doctor,* much to the delight of fans worldwide.

#### Conclusion

Tom Baker's Doctor is more than just a chapter in the long history of *Doctor Who*; he is a defining figure who helped shape the show's identity. His eccentric, enigmatic, and endlessly curious Doctor captured the hearts of viewers and left a legacy that continues to influence the series today. For many, Tom Baker *is* the Doctor, and his time in the TARDIS remains a golden era of British television.

As new generations discover *Doctor Who,* Tom Baker’s portrayal will undoubtedly continue to be a touchstone for what makes the character so enduring and beloved.

Winners of the 2024 Hugo Awards

 On Sunday, the winners of the Hugo Awards, the Lodestar Award for Best Young Adult Book, and the Astounding Award for Best New Writer were announced at the 82nd World Science Fiction Convention in Glasgow, Scotland. The awards are voted on by the members of the 2023 and 2024 World Science Fiction Conventions.

Congratulations to all the winners and finalists! The full list is below.

Best Novel

• WINNER: Some Desperate Glory by Emily Tesh (Tordotcom, Orbit UK)
• The Adventures of Amina al-Sirafi by Shannon Chakraborty (Harper Voyager, Harper Voyager UK)
• The Saint of Bright Doors by Vajra Chandrasekera (Tordotcom)
• Starter Villain by John Scalzi (Tor Books, Tor UK)
• Translation State by Ann Leckie (Orbit US, Orbit UK)
• Witch King by Martha Wells (Tordotcom)

1420 ballots cast for 576 nominees. Finalists range 91-172.

Best Novella

• WINNER: Thornhedge by T. Kingfisher (Tor Books, Titan UK) 
• “Life Does Not Allow Us to Meet,” He Xi / 人生不相见, 何夕, translated by Alex Woodend (Adventures in Space: New Short Stories by Chinese & English Science Fiction Writers)
• Mammoths at the Gates by Nghi Vo (Tordotcom)
• The Mimicking of Known Successes by Malka Older (Tordotcom) 
• Rose/House by Arkady Martine (Subterranean) 
• “Seeds of Mercury,” Wang Jinkang / 水星播种, 王晋康, translated by Alex Woodend (Adventures in Space: New Short Stories by Chinese & English Science Fiction Writers)

962 ballots cast for 187 nominees. Finalists range 106-186.

Best Novelette

• WINNER: “The Year Without Sunshine” by Naomi Kritzer (Uncanny Magazine, November-December 2023) 
• I AM AI by Ai Jiang (Shortwave) 
• “Introduction to 2181 Overture, Second Edition,” Gu Shi /〈2181序曲〉再版导言, 顾适 translated by Emily Jen (Clarkesworld, February 2023)
• “Ivy, Angelica, Bay” by C.L. Polk (Tor.com 8 December 2023) 
• “On the Fox Roads” by Nghi Vo (Tor.com 31 October 2023) 
• “One Man’s Treasure” by Sarah Pinsker (Uncanny Magazine, January-February 2023) 

755 ballots cast for 212 nominees. Finalists range 40-117.

Best Short Story

• WINNER: “Better Living Through Algorithms” by Naomi Kritzer (Clarkesworld May 2023) 
• “Answerless Journey,” Han Song / 没有答案的航程, 韩松, translated by Alex Woodend (Adventures in Space: New Short Stories by Chinese & English Science Fiction Writers)
• “How to Raise a Kraken in Your Bathtub” by P. Djèlí Clark (Uncanny Magazine, January-February 2023) 
• “The Mausoleum’s Children” by Aliette de Bodard (Uncanny Magazine, May-June 2023)
• “The Sound of Children Screaming” by Rachael K. Jones (Nightmare Magazine, October 2023) 
• 美食三品 (“Tasting the Future Delicacy Three Times”), 宝树 / Baoshu (银河边缘013：黑域密室 / Galaxy’s Edge Vol. 13: Secret Room in the Black Domain) 

720 ballots cast for 612 nominees. Finalists range 27-69.

Best Series

• WINNER: Imperial Radch by Ann Leckie (Orbit US, Orbit UK)
• The Final Architecture by Adrian Tchaikovsky (Orbit US, Tor UK)
• The Last Binding by Freya Marske (Tordotcom, Tor UK)
• The Laundry Files by Charles Stross (Tordotcom, Orbit UK)
• October Daye by Seanan McGuire (DAW)
• The Universe of Xuya by Aliette de Bodard (Gollancz; JABberwocky Literary Agency; Subterranean Press; Uncanny Magazine; et al.)

677 ballots cast for 228 nominees. Finalists range 79-117.

Best Graphic Story or Comic

• WINNER: Saga, Vol. 11 written by Brian K. Vaughan, art by Fiona Staples (Image Comics)
• Bea Wolf, written by Zach Weinersmith, art by Boulet (First Second)
• Shubeik Lubeik, Deena Mohamed (Pantheon); as Your Wish Is My Command (Granta)
• 三体漫画：第一部 / The Three Body Problem, Part One, adapted from the novels by 刘慈欣 (Liu Cixin), written by 蔡劲 (Cai Jin),戈闻頔 (Ge Wendi), and 薄暮 (Bo Mu), art by 草祭九日东 (Caojijiuridong) (Zhejiang Literature and Art Publishing House) 
• The Witches of World War II written by Paul Cornell, art by Valeria Burzo (TKO Studios LLC)
• Wonder Woman Historia: The Amazons written by Kelly Sue DeConnick, art by Phil Jimenez, Gene Ha and Nicola Scott (DC Comics)

457 ballots cast for 256 nominees. Finalists range 25-151.

Best Related Work

• WINNER: A City on Mars by Kelly Weinersmith and Zach Weinersmith (Penguin Press; Particular Books)
• All These Worlds: Reviews & Essays by Niall Harrison (Briardene Books)
• 中国科幻口述史, 第二卷, 第三卷，(Chinese Science Fiction: An Oral History, Vols 2 and 3) ed. 杨枫 / Yang Feng (8-Light Minutes Culture & Chengdu Time Press)
• The Culture: The Drawings, by Iain M. Banks (Orbit)
• 雨果X访谈 (Discover X), presented by 王雅婷 (Tina Wong)
• A Traveller in Time: The Critical Practice of Maureen Kincaid Speller, by Maureen Kincaid Speller, edited by Nina Allan (Luna Press Publishing)

775 ballots cast for 246 nominees. Finalists range 36-343.

Best Dramatic Presentation, Long Form

• WINNER: Dungeons & Dragons: Honor Among Thieves, screenplay by John Francis Daley, Jonathan Goldstein and Michael Gilio, directed by John Francis Daley and Jonathan Goldstein (Paramount Pictures)
• Barbie, screenplay by Greta Gerwig and Noah Baumbach, directed by Greta Gerwig (Warner Bros. Studios)
• Nimona, screenplay by Robert L. Baird and Lloyd Taylor, directed by Nick Bruno and Troy Quane (Annapurna Animations) 
• Poor Things, screenplay by Tony McNamara, directed by Yorgos Lanthimos (Element Pictures)
• Spider-Man: Across the Spider-Verse, screenplay by Phil Lord, Christopher Miller and Dave Callaham, directed by Joaquim Dos Santos, Kemp Powers and Justin K. Thompson (Columbia Pictures / Marvel Entertainment / Avi Arad Productions / Lord Miller / Pascal Pictures / Sony Pictures Animation)
• 流浪地球2 / The Wandering Earth II, based on the novel by 刘慈欣 Liu Cixin, screenplay by 杨治学 Yang Zhixue, 郭帆 / Frant Gwo, 龚格尔 Gong Geer, and 叶濡畅 Ye Ruchang, script consultant 王红卫 Wang Hongwei, directed by 郭帆 / Frant Gwo (中影创意（北京）电影有限公司 / CFC Pictures Ltd, 郭帆（北京）影业有限公司 / G!Film (Beijing) Studio Co. Ltd, 北京登峰国际文化传播有限公司 / Beijing Dengfeng International Culture Communication Co, Ltd, 中国电影股份有限公司 / China Film Co. Ltd)

763 ballots cast for 189 nominees. Finalists range 69-212.

Best Dramatic Presentation, Short Form

• WINNER: The Last of Us: “Long, Long Time,” written by Craig Mazin and Neil Druckmann, directed by Peter Hoar (Naughty Dog / Sony Pictures)
• Doctor Who: “The Giggle,” written by Russell T. Davies, directed by Chanya Button (Bad Wolf with BBC Studios for The BBC and Disney Branded Television)
• Loki: “Glorious Purpose,” screenplay by Eric Martin, Michael Waldron and Katharyn Blair, directed by Justin Benson and Aaron Moorhead (Marvel / Disney+)
• Star Trek: Strange New Worlds: “Those Old Scientists,” written by Kathryn Lyn and Bill Wolkoff, directed by Jonathan Frakes (CBS / Paramount+)
• Star Trek: Strange New Worlds: “Subspace Rhapsody,” written by Dana Horgan and Bill Wolkoff, directed by Dermott Downs (CBS / Paramount+)
• Doctor Who: “Wild Blue Yonder,” written by Russell T. Davies, directed by Tom Kingsley (Bad Wolf with BBC Studios for The BBC and Disney Branded Television)

490 ballots cast for 318 nominees. Finalists range 46-115.

Best Game or Interactive Work

• WINNER: Baldur’s Gate 3, produced by Larian Studios
• Alan Wake 2, developed by Remedy Entertainment, published by Epic Games 
• Chants of Sennaar, developed by Rundisc, published by Focus Entertainment
• DREDGE, developed by Black Salt Games, published by Team17
• The Legend of Zelda: Tears of the Kingdom, produced by Nintendo
• Star Wars Jedi: Survivor, developed by Respawn Entertainment, published by Electronic Arts

334 ballots cast for 165 nominees. Finalists range 26-157.

Best Editor Short Form

• WINNER: Neil Clarke
• Scott H. Andrews
• 刘维佳 (Liu Weijia)
• Jonathan Strahan 
• Lynne M. Thomas & Michael Damian Thomas
• 杨枫 (Yang Feng)

530 ballots cast for 179 nominees. Finalists range 40-146.

Best Editor Long Form

• WINNER: Ruoxi Chen
• Lindsey Hall
• Lee Harris
• Kelly Lonesome
• David Thomas Moore
• 姚海军 (Yao Haijun)

254 ballots cast for 103 nominees. Finalists range 16-81.

Best Professional Artist

• WINNER: Rovina Cai
• Micaela Alcaino
• Galen Dara
• Dan Dos Santos
• Tristan Elwell
• Alyssa Winans

270 ballots cast for 219 nominees. Finalists range 17-66.

Best Semiprozine

• WINNER: Strange Horizons, by the Strange Horizons Editorial Collective 
• Escape Pod, editors Mur Lafferty and Valerie Valdes; assistant editors Benjamin C. Kinney, Premee Mohamed and Kevin Wabaunsee; hosts Tina Connolly and Alasdair Stuart; producers Summer Brooks and Adam Pracht; and the entire Escape Pod team 
• FIYAH Literary Magazine, publisher and executive editor DaVaun Sanders, poetry editor B. Sharise Moore, special projects manager L. D. Lewis, art director Christian Ivey, acquiring editors Rebecca McGee, Kerine Wint, Joshua Morley, Emmalia Harrington, Genine Tyson, Tonya R. Moore, sponsor coordinator Nelson Rolon
• GigaNotoSaurus, editor LaShawn M. Wanak, associate editors Mia Tsai and Edgard Wentz, along with the GNS Slushreaders Team
• khōréō, produced by Aleksandra Hill, Zhui Ning Chang, Kanika Agrawal, Isabella Kestermann, Rowan Morrison, Sachiko Ragosta, Lian Xia Rose, Jenelle DeCosta, Melissa Ren, Elaine Ho, Lilivette Domínguez, Jei D. Marcade, Jeané Ridges, Isaree Thatchaichawalit, Danai Christopoulou, M. L. Krishnan, Ysabella Maglanque, Aaron Voigt, Adil Mian, Alexandra Millatmal, E. Broderick, K. S. Walker, Katarzyna Nowacka, Katie McIvor, Kelsea Yu, Marie Croke, Osahon Ize-Iyamu, Phoebe Low, S. R. Westvik, Sara S. Messenger
• Uncanny Magazine, publishers and editors-in-chief: Lynne M. Thomas and Michael Damian Thomas; managing editor Monte Lin; nonfiction editor Meg Elison; podcast producers Erika Ensign and Steven Schapansky

338 ballots cast for 82 nominees. Finalists range 32-159.

Best Fanzine

• WINNER: Nerds of a Feather, Flock Together, editors Roseanna Pendlebury, Arturo Serrano, Paul Weimer; senior editors Joe Sherry, Adri Joy, G. Brown, Vance Kotrla
• Black Nerd Problems, editors Omar Holmon and William Evans 
• The Full Lid, written by Alasdair Stuart and edited by Marguerite Kenner
• Idea, editor Geri Sullivan
• Journey Planet, edited by Michael Carroll, Vincent Docherty, Sara Felix, Ann Gry, Sarah Gulde, Allison Hartman Adams, Arthur Liu, Jean Martin, Helena Nash, Pádraig Ó Méalóid, Yen Ooi, Chuck Serface, Alan Stewart, Regina Kanyu Wang, James Bacon and Christopher J. Garcia 
• Unofficial Hugo Book Club Blog, editors Olav Rokne and Amanda Wakaruk

286 ballots cast for 80 nominees. Finalists range 20-70.

Best Fancast

• WINNER: Octothorpe, by John Coxon, Alison Scott, and Liz Batty 
• The Coode Street Podcast, presented by Jonathan Strahan and Gary K. Wolfe
• Hugos There, presented by Seth Heasley
• Publishing Rodeo, presented by Sunyi Dean and Scott Drakeford
• 科幻Fans布玛 (Science Fiction Fans Buma), production team 布玛（Buma)，刘路（Liu Lu)，刘倡（Liu Chang)
• Worldbuilding for Masochists, presented by Marshall Ryan Maresca, Rowenna Miller, Cass Morris and Natania Barron

693 ballots cast for 230 nominees. Finalists range 28-104.

Best Fan Writer

• WINNER: Paul Weimer
• Bitter Karella
• James Davis Nicoll
• Jason Sanford
• Alasdair Stuart
• Örjan Westin

363 ballots cast for 134 nominees. Finalists range 27-134.

Best Fan Artist

• WINNER: Laya Rose
• ​​Iain J. Clark
• Sara Felix
• Dante Luiz
• Alison Scott
• España Sheriff

180 ballots cast for 96 nominees. Finalists range 16-43.

Lodestar Award for Best Young Adult Book

• WINNER: To Shape a Dragon’s Breath by Moniquill Blackgoose (Del Rey)
• Abeni’s Song by P. Djèlí Clark (Starscape)
• Liberty’s Daughter by Naomi Kritzer (Fairwood Press)
• Promises Stronger than Darkness by Charlie Jane Anders (Tor Teen)
• The Sinister Booksellers of Bath by Garth Nix (Katherine Tegen Books, Gollancz and Allen & Unwin)
• Unraveller by Frances Hardinge (Macmillan Children’s Books; eligible due to 2023 U.S. publication by Amulet)

345 ballots cast for 178 nominees. Finalists range 33-56.

Astounding Award for Best New Writer (sponsored by Dell Magazines)

• WINNER: Xiran Jay Zhao (eligibility extended at request of Dell Magazines)
• Moniquill Blackgoose (1st year of eligibility)
• Sunyi Dean (2nd year of eligibility)
• Ai Jiang (2nd year of eligibility)
• Hannah Kaner (1st year of eligibility)
• Em X. Liu (1st year of eligibility)

349 ballots cast for 167 nominees. Finalists range 35-50.

The following nominees received enough votes to qualify for the final ballot, but declined nomination:

• Best Novel – System Collapse, by Martha Wells
• Best Novelette – 极北之地 (“The Far North”) by 海漄 (Hai Ya)
• Best Related Work: Bigolas Dickolas Wolfwood’s promotional tweets for This Is How You Lose the Time War
• Best Editor, Long Form: Natasha Bardon
• Best Fan Writer: Camestros Felapton

The following nominees received enough votes to qualify for the final ballot, but were not eligible for specific reasons:

• Best Novel – 天帆 (Cosmo Wings) by 江波 (Jiang Bo) – publication in 2024
• Best Fancast (1) – 雨果X访谈 （Discover X）interviews by 王雅婷 Tina Wong – professional production; also qualified in the Best Related Work category
• Best Fancast (2) – 铥铥科幻电波 (Diu Diu Sci Fi Radio) – also a professional production