Sunday, July 27, 2025

Echoes of the Nautilus, Chapter 2

Chapter 2: Awakening the Beast

The sea closed again over the vessel like a secret, swallowing light, heat, and sound. On the deck of the Calyptra, the crew stared into the rippling black water, stunned into silence.

But for Dr. Eliza Maren, it was not fear that gripped her—it was awe.


Hours Later

The Calyptra drifted, powerless. Shaw and the engineers worked feverishly below deck, but the engines refused to respond. The receiver continued to pulse, louder and faster now—as if the message had changed.

Then the sound stopped.

Not faded.

Stopped.

A click. A hiss. A sudden rush of compressed air somewhere deep below the hull.

“Eliza!” came the cry from a deckhand above. “There’s something—”

The sea beneath the ship bubbled again, but this time it did not rise gently.

It grasped.

Metallic arms—sleek and segmented like the limbs of some monstrous cephalopod—rose from the depths and clamped onto the Calyptra. The ship shuddered. The crew shouted. Eliza ran to the rail just as the Calyptra was yanked sideways—downward—toward a rising shadow beneath the water.

The Nautilus had surfaced again, its upper hatch opening with a hiss of escaping pressure.

A wide iris-like aperture gaped at the top, a tunnel of brass and glass. And into that open mouth, the Calyptra was being drawn.

Eliza gripped the rail, eyes wide.

“It’s docking with us.”

Shaw appeared beside her, pistol drawn, soaked and shaking.

“Not if I can help it.”

“Wait—Ryland, look!”

The iris was not just open—it was inviting. Soft lights shimmered in concentric circles inside, like a pulse. As if the ship recognized them.

A low chime rang out across the water—six notes, melancholy and mechanical.

Like a greeting.

Eliza turned to Shaw. “We can’t fight it. But maybe… we don’t need to.”

He grimaced. “You want to board it?”

“I think we’ve already been chosen to.”


Inside the Beast

The Nautilus had not rusted.

Its walls, though dim with age, gleamed with opal-toned steel. Brass piping wound like vines through vaulted passageways. Floor tiles hummed faintly underfoot, as if the ship were alive.

No crew. No bodies. No decay.

The air was fresh. The lights flickered on as they passed.

“It’s like it woke up just for us,” said Ensign Hallor, her voice echoing in the silence.

“No,” Eliza whispered. “It never slept.”

They moved as a group, six in total, deeper into the ship, through arched corridors that resembled cathedral naves—fins of metal overhead like ribs.

Finally, they reached the heart: a great circular chamber with a glass ceiling, looking out into the sea like a planetarium beneath the ocean.

At the center stood a console.

Simple. Elegant.

Waiting.

Eliza approached, hand trembling, and placed her palm on a brass disc.

The ship responded instantly.

With a thrum, lights activated across the ceiling, casting scenes in thin filaments of light—maps, naval trajectories, faces, names. It was a database.

No—an intelligence.

The images slowed. A final screen emerged: the unmistakable portrait of Captain Nemo.

Older than she remembered from the sketches in her father’s journal. Weathered. Noble. Sad.

A line of text scrolled beneath his image:

"If you read this, then war has come again."

Shaw stepped beside her. “This isn’t a ship. It’s a damn war machine.”

“No,” Eliza said, breath catching in her throat. “It’s something else. It’s… a message.”

Suddenly, a new alert flared across the control board—an incoming vessel on sonar.

A British warship.

The HMS Resolute.

And as the crew watched, horrified, the Nautilus made its decision without them.


A Ghost That Hunts

Without warning, the Nautilus moved.

The crew stumbled as the vessel accelerated—smooth and silent. The screens changed—now showing blueprints of the Resolute, targeting data, torpedo trajectories.

“No—no, shut it down!” Eliza cried. She ran her hands across the controls, searching for a command override. Nothing responded.

Shaw raised his pistol and pointed it at the console.

“You said it was a message. Well, it's become a bloody threat!”

“Wait—look!”

A new screen flickered to life—log entries. Nemo’s voice, tinny but preserved.

“I have entrusted my final design to the tides. Should men return to their machines of war, the Nautilus will defend the sanctity of the sea. I regret this burden, but I do not rescind it.”

The ship shook. A deep hum sounded—charging systems activating.

Weapons.

“She's going to fire,” Hallor whispered.

“No,” Eliza said, placing both hands on the console. “I won't let her.

The lights flared. Her pulse echoed in her ears.

And suddenly, the screens faded.

The hum died.

The weapons did not fire.

The Nautilus stopped—just beneath the Resolute, unseen. Watching.

Waiting.


Epilogue of Chapter 2

Later, in the crew quarters, Eliza sat alone, reading through Captain Nemo’s final journal entries.

Each page told of a man who had once fled the cruelty of empires only to create a weapon so powerful it haunted him. A vessel meant to outlive him… but not his mistakes.

She looked up at the walls of the ship.

Not cold, not empty.

Alive.

The Nautilus had not saved them.

It had tested them.


Echoes of the Nautilus, Chapter 1

Chapter 1: The Phantom Signal

The sea, at depth, does not echo.

It absorbs, devours, and silences.

But on the thirteenth day of August, in the year 1885, a sound rose from the darkness beneath the Mariana Trench—a rhythmic, deliberate pulse that defied silence.

– · · · – ·
The Morse pattern was unmistakable. And one name coalesced in the humming mind of Dr. Eliza Maren:

NEMO.


Dr. Maren leaned over the brass listening horn of her experimental hydrosonic receiver, the contraption steaming faintly in the tight confines of her lab aboard the Calyptra. The sea hissed in her ears, thick and eternal, but the signal repeated.

She straightened. Her reflection shimmered in the polished copper around her—a woman too young, perhaps, to be chief scientist of any expedition, and too stubborn to notice it. Her green eyes were alight with the kind of focus that unsettled the crew.

“Eliza?” came a voice from the corridor—broad, skeptical, and unmistakably Yorkshire.

Captain Ryland Shaw appeared in the doorway, oil-slick coat slung over one shoulder, his eyebrows knitted like the rigging of a battered schooner.

“You’ve been in here three hours. Either you’re trying to outstare the abyss, or you’ve found your sea monster.”

“I think it found us,” she said, standing. “Listen.”

She handed him the wax earcone. He grunted and held it to his head, scowling.

Then froze.

“That’s… code?”

“Yes.”

He pulled back. “Nemo? That can’t be. The Nautilus was lost ten years ago. Crushed by the sea or consumed by its own madness.”

Eliza moved to a brass map case, rolling out a parchment stitched with inked sonar readings. “The signal's coming from twelve thousand meters deep, just west of the Challenger Deep. It's pulsing every thirty minutes. Same sequence. Same call.”

Shaw stared at the chart, then at her. “Even if the signal’s real, no vessel made by man could survive at that depth.”

She smiled faintly. “Except one.”


Twelve Hours Later

The Calyptra, a marvel of British engineering and Maren’s obsessive funding, churned eastward beneath a full moon, its triple-stack steam engines pumping like the heart of some leviathan-born beast.

Below deck, murmurs spread among the crew. The name “Nemo” carried too much weight, too many ghost stories told in the creaking mess halls of the world’s navies. It was said the Nautilus had sunk ships without warning, that it breathed electric fire, that its captain spoke to whales and ruled the deep.

Eliza, seated alone in the viewing chamber at the prow, gazed into the dark sea ahead. Her gloved hand rested on a journal—the only possession she’d salvaged from her father’s effects after his disappearance aboard the HMS Antiphon… a ship last sighted near the trench in 1875.

He had written of an encounter: a great metal vessel beneath the waves, shaped like a beast of steel and glass, eyes glowing with electric fire.

He had called it an “impossible machine.”

A century ahead of its time.

The Nautilus.

Eliza’s obsession was not born of science. It was born of grief. And now, something was calling her to the place he vanished.


Day Three

Storms battered the Calyptra as it approached the trench, and the signal grew stronger, louder, until it began to rattle the coils of the receiver. Tools flew from their racks. Compasses spun like drunken dancers.

And then—

At 3:17 a.m., the engines failed.

Everything stopped. No wind. No sound. No movement. Just stillness.

And then a deep, resonant hum—not mechanical, but musical. A harmonic so low it vibrated the deck plates beneath their feet.

Eliza staggered to the bridge, rain soaking her spectacles. Shaw met her there, mouth set in grim resignation.

“Look.”

He pointed off the bow.

The sea boiled.

Something massive breached the surface.

Not fully—just enough for the shape to register: a domed hull of dark iron, ribbed like a beast’s back, shimmering with bioluminescent lines that pulsed in rhythm with the signal.

A dorsal fin? No—an antenna. A periscope.

The surface hissed as the metal shape settled back beneath the waves, dragging a vortex behind it.

Eliza’s breath caught.

“It’s not dead,” she whispered. “The Nautilus is still alive.”


Saturday, July 12, 2025

Marvel’s First Family Returns: The Enduring Legacy of the Fantastic Four

 

Before the Avengers assembled or the X-Men made their mark, Marvel gave us The Fantastic Four — a bold, cosmic, and often deeply human team that changed superhero comics forever.

Created in 1961 by Stan Lee and Jack Kirby, the Fantastic Four weren’t just superheroes. They were explorers, scientists, and — most importantly — a family. Reed Richards (Mr. Fantastic), Sue Storm (Invisible Woman), Johnny Storm (Human Torch), and Ben Grimm (The Thing) didn’t hide behind secret identities or operate from the shadows. They embraced the spotlight, taking the Marvel Universe to new heights, from the Negative Zone to Latveria to the far edges of the multiverse.

What makes the Fantastic Four special isn’t just their powers, but their dynamic. Reed’s brilliance, Sue’s strength and compassion, Johnny’s fiery spirit, and Ben’s gruff heart of gold reflect the challenges and joys of family life in ways few other superhero teams have ever managed.

Now, with the MCU gearing up for its own Fantastic Four debut, a new era is on the horizon. Will we see the grandeur of Galactus? The menace of Doctor Doom? Or the emotional depth that has kept this team relevant for over six decades?

No matter where they go next, one thing’s for sure — the Fantastic Four are more than heroes. They’re a legacy.



Monday, July 7, 2025

Roadside Picnic by Arkady & Boris Strugatsky

 

What if humanity wasn’t visited by aliens for us, but simply near us—like an indifferent hiker dropping trash on the side of the road?

In Roadside Picnic, Soviet-era science fiction takes a sharp, unsettling turn into the philosophical. The story unfolds in the aftermath of an alien “Visitation”—a brief, unexplained event that leaves behind zones filled with bizarre, often deadly artifacts. These zones become the obsession of governments, scientists, and “stalkers”: illegal scavengers who risk everything to retrieve the mysterious tech inside.

The protagonist, Redrick “Red” Schuhart, is one such stalker. Through his gritty, tragic path, we glimpse a haunting vision of human greed, wonder, and futility. The Zone itself becomes a kind of character—unpredictable, silent, and possibly sentient.

This isn’t just sci-fi. It’s a metaphysical puzzle, a social critique, and a deeply human story wrapped in radiation and rain-soaked danger.

If you’re a fan of Stalker (the Tarkovsky film it inspired), or books like Annihilation by Jeff VanderMeer, this is essential reading.



Tuesday, June 17, 2025

Our Times

 The top sci-fi news story from the past week is the release of Netflix’s romantic sci-fi movie Our Times, which premiered on June 11, 2025, and has already climbed into Netflix’s top 10 U.S. charts. The film follows a 1960s scientist couple who accidentally time travel to 2025, offering a fresh take on time travel by focusing on their adaptation to a future world rather than altering the past. Critics and viewers have praised its charming and relatable storytelling, despite its slightly cheesy premise, making it a standout in Netflix’s sci-fi lineup.



Sunday, June 15, 2025

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Wednesday, May 28, 2025

"The Colossus Crop"


By an Imitator of H.G. Wells


In the summer of 1897, in a village unremarkable but for its neat hedgerows and the soporific buzzing of bees, something extraordinary occurred—so extraordinary, in fact, that it quite upended the understanding of agriculture, botany, and the proper size of a tomato.

It began, as so many catastrophes do, with an earnest man and an ill-considered idea. Professor Edwin Marlowe, a thin gentleman with spectacles permanently fogged by his own intensity, had been recently dismissed from the Royal Botanical Society for proposing that plants, if coerced with the proper tonics and frequencies of vibration, might achieve growth on a scale “hitherto unimagined by the feeble intellect of man.” This phrasing had not helped his cause.

Unbowed, Marlowe retreated to a rented farmstead outside the village of Witheringham, accompanied by a crate of equipment, a dog-eared copy of The Secret Life of Sap, and an alarming number of unlabeled flasks. He set to work upon a modest vegetable patch with all the fervor of a conjuror preparing a great illusion.

The first signs of irregularity were charming. A cucumber the size of a loaf of bread. A radish as large as a man's fist. Villagers took to strolling past the gate, exchanging amused remarks. But by late July, charm had curdled into concern.

A tomato, roughly the size of a footstool, broke loose from its vine and crushed a wheelbarrow. A marrow had to be dragged away with the help of two shire horses and a block-and-tackle. Then came the pumpkin.

It rose one morning like a new sun behind the farmhouse, vast and orange and faintly steaming. Birds circled it in confusion. The rector declared it "an affront to nature and the Book of Genesis." Children were forbidden from going near it, though one was later found asleep against its skin, lulled by the odd, slow thrum it emitted.

Marlowe, undeterred, scribbled in his journal and adjusted his resonators. He had invented what he called a growth harmonizer, a device that pulsed with low-frequency waves designed to stimulate what he described as “botanic ambition.” His theory was simple: plants wanted to grow, but lacked the proper encouragement.

That night, a sound like the groaning of ancient trees woke the village.

By morning, the farmhouse was gone—its roof split by an enormous asparagus spear that had erupted through the chimney like a vegetal lance. The pumpkin had collapsed under its own weight, splattering seeds and pulp across half an acre. In the center of the devastation stood Marlowe, triumphant and sticky, proclaiming the dawn of a new agricultural epoch.

It was only then that the corn began to walk.

Towering stalks—fifteen, twenty feet high—pivoted subtly on their root systems, guided not by wind but by a strange inner purpose. Marlowe, delighted, followed them into the field with a notebook in one hand and a tuning fork in the other.

The villagers did not follow.

It was only a week later that the army arrived, summoned by panicked telegrams and one memorable illustrated postcard. By then the fields were a jungle, each plant monstrous, intertwined, and ominously mobile. Marlowe was never found.

A government cordon was established. The fields were burned—twice—and then sealed with concrete and official silence.

Today, the site is marked by a sign that reads Experimental Agricultural Grounds – No Trespassing. Beneath it, concrete occasionally bulges, and the wild blackberries nearby grow sweet, enormous, and faintly musical.


End.

Echoes of the Nautilus, Chapter 4

Chapter 4: The Heart of Nemo There are places in the sea where no light penetrates, no sound echoes, and no ship should go. The Nautilus ...