Welcome, fellow explorers of the unknown! In a world teeming with marvels and mysteries that push the boundaries of human imagination, we find ourselves at the forefront of a new era in scientific discovery and technological innovation. This is the realm where science fiction becomes science reality, and in this blog, we embark on a thrilling journey through the captivating realms of the future. Welcome to the realm of Sci-Fi Confidential!
Aniara is a cinematic masterpiece that transcends the boundaries of traditional science fiction, delivering a deeply emotional and thought-provoking exploration of human existence. Adapted from Harry Martinson's epic poem, the film invites viewers to embark on a visually stunning journey through the vast emptiness of space, where a group of passengers aboard a massive spaceship faces the existential crisis of being lost without a clear destination.
What makes Aniara truly exceptional is its ability to juxtapose the cold, infinite void of space with the deeply personal struggles of its characters. The film’s aesthetic is minimalist yet breathtaking, with sleek, futuristic set designs that emphasize the isolation and fragility of human life. Each shot is meticulously crafted, from the expansive starry vistas to the sterile, claustrophobic interiors of the ship.
Emelie Jonsson's performance as Mimaroben, the operator of the ship's AI system designed to soothe passengers, is nothing short of captivating. Through her nuanced portrayal, we witness the gradual unraveling of hope and the desperate clinging to fragments of meaning in an increasingly hopeless situation. The supporting cast also shines, bringing raw emotion and humanity to their roles.
Thematically, Aniara delves into profound questions about our reliance on technology, the meaning of existence, and humanity's resilience—or lack thereof—when confronted with the unknown. The film's pacing mirrors the passage of time aboard the ship, starting with urgency and optimism before giving way to despair and ennui. While some may find this pacing challenging, it perfectly reflects the psychological toll of being adrift in space.
The score, an ethereal blend of haunting melodies and unsettling silence, amplifies the film's emotional impact. It serves as both a comforting presence and a reminder of the vast emptiness surrounding the characters.
Aniara is not your typical action-packed sci-fi adventure; it’s a slow-burning, introspective tale that leaves you pondering long after the credits roll. It challenges viewers to confront their own fears and hopes for the future, making it a deeply personal and unforgettable experience.
For those seeking a film that combines stunning visuals, profound storytelling, and a poignant reflection on the human condition, Aniara is a must-watch. It’s a cinematic journey into the void that reveals the boundless depths of the human spirit.
Neal Stephenson is a distinctive voice in speculative fiction, blending genres like cyberpunk, historical fiction, and techno-thriller in a way that’s deeply rooted in both technical detail and historical research. For readers who love a heady mix of philosophy, mathematics, cryptography, and action-packed storytelling, Stephenson’s work stands out as both cerebral and highly entertaining. Below, I’ll explore some of his most influential and significant books, diving into what makes each unique and why Stephenson remains a giant in modern speculative fiction.
### 1. **Snow Crash (1992)**
Let’s start with *Snow Crash*, arguably the novel that brought Stephenson into the mainstream. This book is a cornerstone of cyberpunk, often discussed alongside William Gibson’s *Neuromancer*. In *Snow Crash*, Stephenson introduces us to Hiro Protagonist, a sword-wielding hacker navigating a hyper-commercialized, corporatized America. The world-building is dense and imaginative: Stephenson envisions a fragmented United States where the federal government has effectively dissolved, leaving behind city-states governed by corporate franchises.
One of the most memorable aspects of *Snow Crash* is its portrayal of the Metaverse, a virtual reality space that has eerie similarities to what we now know as the Internet or the concept of the modern Metaverse. This foresight is a testament to Stephenson’s ability to anticipate technological trends and their social implications. The plot, centering on a linguistic virus that can ‘hack’ the human brain, explores deep themes around language, culture, and consciousness, while also offering thrilling chase scenes and dark humor.
*Snow Crash* was a vision of the future that has, in many ways, come to pass. Its blend of cultural critique and action-packed narrative makes it a quintessential read for anyone interested in the early roots of cyberpunk and speculative technology.
### 2. **The Diamond Age: Or, A Young Lady’s Illustrated Primer (1995)**
Moving from cyberpunk to a kind of neo-Victorian speculative fiction, *The Diamond Age* examines the implications of nanotechnology on society. Set in a world where nanotech has revolutionized daily life, the novel follows the story of Nell, a young girl who comes into possession of a highly advanced, interactive book—the "Young Lady’s Illustrated Primer." The Primer is designed to adapt to its reader, offering tailored education, guidance, and stories, effectively raising Nell in place of traditional schooling.
*The Diamond Age* is a meditation on the intersection of technology and education, class disparities, and the future of human development. Stephenson explores a world where societal structures have been reshaped by technology to the extent that 'phyles'—cultural tribes organized by shared values—have replaced traditional nation-states. The novel’s commentary on how technology can both empower and disenfranchise makes it a prescient read, particularly in our current era of rapid digital transformation and artificial intelligence.
### 3. **Cryptonomicon (1999)**
If you’re a fan of historical fiction with a hefty dose of cryptography and mathematics, *Cryptonomicon* is an epic journey worth taking. This sprawling novel intertwines two timelines: one set during World War II, following Lawrence Waterhouse and his role in cryptographic operations, and another in the late 1990s, focusing on Randy Waterhouse, a tech entrepreneur working to create a data haven.
*Cryptonomicon* is a deep dive into the world of cryptography, offering insights into the creation of the Enigma code and the early foundations of modern computing. It’s part historical thriller, part techno-adventure, and it doesn’t shy away from explaining the technical details of encryption and information theory. While it can be dense at times, Stephenson’s sharp wit and fascinating characters keep the narrative engaging.
What makes *Cryptonomicon* stand out is its reflection on the role of information in the shaping of history and society. The novel bridges the gap between the analog and digital eras, highlighting the continuity of human endeavors to communicate securely and the transformative power of technology across generations.
### 4. **The Baroque Cycle (2003-2004)**
The Baroque Cycle is a monumental trilogy (*Quicksilver*, *The Confusion*, and *The System of the World*) that might be best described as historical science fiction. Set primarily in the late 17th and early 18th centuries, the series features a vast array of characters, including real historical figures like Isaac Newton, Gottfried Wilhelm Leibniz, and King Louis XIV, alongside fictional protagonists such as Daniel Waterhouse and Jack Shaftoe.
The series explores the early Enlightenment era—a time of scientific discovery, political upheaval, and economic transformation. Stephenson delves into the philosophical debates of the time, the birth of the modern financial system, and the evolution of scientific thought. The books are sprawling and intricately detailed, weaving together adventure, espionage, and complex discussions about mathematics, alchemy, and early capitalism.
Reading the Baroque Cycle is a commitment—it’s dense, requiring patience and attention, but for those who love richly detailed historical fiction, it’s an unforgettable experience. It’s a testament to Stephenson’s ambition and his knack for making the history of science thrilling and accessible.
### 5. **Anathem (2008)**
With *Anathem*, Stephenson crafts a unique blend of science fiction and philosophical inquiry. Set on the planet Arbre, *Anathem* imagines a society where intellectuals and scientists live in monastic communities, isolated from the outside world to focus on pure thought and theoretical knowledge. The story begins as Fraa Erasmas, a young scholar, is thrust into a mystery involving parallel universes and the nature of reality itself.
*Anathem* is steeped in philosophical and scientific ideas, exploring concepts like quantum mechanics, the multiverse, and Platonic forms. Stephenson invents an entire vocabulary and cultural system for Arbre, which can be challenging but rewarding for readers willing to immerse themselves fully in this complex world. It’s a deeply contemplative novel that asks big questions about the nature of existence, the role of knowledge, and the relationship between science and society.
### 6. **Reamde (2011)**
For those who enjoy Stephenson’s modern techno-thrillers, *Reamde* is a fast-paced story that combines hacking, online gaming, and international espionage. The novel revolves around Richard Forthrast, a tech mogul who owns a massively popular multiplayer online game called T’Rain. When a ransomware virus called "Reamde" spreads through the game, it sets off a chain of events involving hackers, terrorists, and spies across multiple continents.
While *Reamde* lacks the deep philosophical musings of some of Stephenson’s other works, it’s a gripping, action-packed novel that showcases his ability to create intricate, interconnected plots. It’s a great entry point for readers looking for a more accessible, thriller-oriented read without sacrificing the author’s trademark technical depth and expansive world-building.
### 7. **Seveneves (2015)**
*Seveneves* is Stephenson’s ambitious foray into hard science fiction, exploring the fate of humanity after the sudden destruction of the Moon. The novel begins with the Moon shattering into pieces, a catastrophe that sets off a countdown to Earth’s destruction. Humanity’s only hope lies in an international effort to send a group of people into space to preserve the species.
The first two-thirds of the book focus on the intense, technical details of survival in space, showcasing Stephenson’s deep understanding of orbital mechanics and space engineering. The final third jumps 5,000 years into the future, exploring the civilization that emerges from the survivors, offering a fascinating vision of what humanity could become.
*Seveneves* is a meditation on human resilience, the power of technology, and the ethical dilemmas of survival. It’s a challenging read, especially for those unfamiliar with space science, but it’s a rewarding exploration of what it means to be human in the face of existential threat.
### **In Summary**
Neal Stephenson’s body of work is a masterclass in speculative fiction, combining rigorous research with compelling storytelling. Whether he’s exploring the digital landscapes of cyberpunk, the cryptographic secrets of wartime, or the philosophical questions of alternate realities, Stephenson invites readers into worlds where the boundaries of science, technology, and human imagination blur. For those willing to dive deep, his books offer not just stories, but intellectual adventures that linger long after the final page.
Murray Leinster, often called the "Dean of Science Fiction," was a prolific author who left a lasting legacy in speculative fiction. Born William Fitzgerald Jenkins, Leinster began publishing stories in the early 20th century, making significant contributions to the genre over a career spanning more than five decades.
Leinster was ahead of his time, often exploring ideas that later became central to science fiction. He was one of the first writers to delve into themes like parallel universes, time travel, and artificial intelligence. His story "A Logic Named Joe" (1946) is particularly noteworthy, as it accurately predicted a world where computers are interconnected—essentially envisioning the internet and its potential for both benefit and chaos.
Leinster’s versatility shines in his wide range of stories, from hard science fiction to space opera and even alternate history. "First Contact" (1945) introduced the concept of an alien encounter protocol that still resonates in popular culture today, coining the term "first contact" itself. His knack for combining human drama with imaginative settings makes his work engaging and timeless.
Despite the innovative themes in his writing, Leinster’s stories are grounded in strong, relatable characters. His heroes often rely on ingenuity and clever problem-solving, emphasizing human resilience in the face of the unknown.
Leinster’s contributions to science fiction remain influential, inspiring generations of writers who followed. Whether you’re a seasoned sci-fi reader or new to the genre, diving into his stories offers a glimpse into the roots of modern speculative fiction.
Elections in sci-fi stories can add intrigue, suspense, and a critical exploration of themes like power, democracy, and societal values. Here are some ways elections are used in the genre:
1. **Reflecting Real-World Politics**: Many sci-fi elections mirror political issues we face today—corruption, voter manipulation, or the struggles of marginalized groups to gain representation. For example, *The Expanse* series dives into the complexities of interplanetary politics and the representation challenges between Earth, Mars, and the Belt.
2. **Examining Alternative Systems**: Sci-fi often imagines different kinds of election processes or governance structures. In *Dune*, for instance, political power is hereditary and influenced by religious factions, showcasing how different cultural or political systems shape society.
3. **Tech-Driven Campaigns**: Advanced technology in sci-fi can amplify both the fairness and deceitfulness of elections. In *Minority Report*, for instance, precrime technology raises questions about free will and culpability, which can easily extend to campaign interference in a world where technology influences human behavior.
4. **The Alien Perspective**: Sci-fi sometimes explores what elections look like on alien planets, where values and systems are entirely different. In *Star Wars*, we see a galactic Senate and the rise of the Empire, illustrating how even vast, futuristic governments can fall victim to the allure of autocracy.
5. **Rebellion and Reform**: Many stories explore elections as a turning point for societal reform. In *The Hunger Games*, Katniss’s story leads to a revolution that eventually results in a new government. Elections can be a moment of hope and change or a struggle for power by those already in control.
From illustrating the breakdown of democratic ideals to envisioning hope through political revolution, sci-fi reminds us that the stakes of elections—and the drive for representation—are universal, transcending both time and space.
For those who enjoy the thrill of early science fiction, Edgar Allan Poe’s *The Unparalleled Adventure of One Hans Pfaall* offers a fascinating blend of fantasy, science, and mystery. First published in 1835, this short story takes readers on a daring journey to the moon, narrated by Hans Pfaall himself. What makes this story remarkable isn’t just the journey, but the depth Poe invests in the scientific detail, giving readers a realistic-sounding (though fictional) account of how one might actually survive space travel in a hot-air balloon.
Poe’s story combines elements of adventure with touches of the macabre. It’s an early example of the “weird tale,” where what we know as reality is stretched, and readers are challenged to suspend disbelief. Hans Pfaall's story also provides a bit of social satire, poking fun at human nature and scientific hubris. This story came out decades before the science fiction genre had taken shape, marking Poe as an early pioneer.
So, if you're looking for a quick and captivating journey to the unknown, *The Unparalleled Adventure of One Hans Pfaall* is worth exploring. It’s amazing to consider how Poe’s imagination paved the way for the sci-fi stories that would come to define modern speculative fiction.
Eternal Dawn is an anticipative short documentary painting the story of humankind exploring our universe after discovering the secret to eternal youth.
"Eternal Dawn" by Tom Serin & Thibault Fotré
Connect with the Filmmakers:
/ thibault_fotre / tom_serin
Director's Statement:
Science is often disliked by young people. Yet, the great minds of humanity gave us science so that we could dream. We really wanted to use it to write this film. AI and new technologies open up new horizons where immortality, or at least the extension of human life, is an extremely serious topic. We were eager to share our vision of a world where aging is no longer a problem. Space travel would then be completely transformed, and humanity could finally set out to conquer our galaxy.
In the endless night of New Earth, the sprawling city of Neon Eden pulsed beneath a dome of shifting artificial skies, streaks of violet and emerald flickering like dying stars. Its towering spires scraped the blackened heavens, and the streets below seethed with bio-enhanced warriors, neon-drenched pleasure seekers, and lurking shadow traders peddling forbidden tech. It was a paradise for the damned, where the line between machine and man had long since dissolved.
Inside the upper levels of Zimura Tower, Kara Zenith stood at the edge of her penthouse window, watching the horizon burn. The biomechanical implants beneath her skin buzzed as she flexed her hand, electric pulses running through her synapses. Tonight was the night the city would fall or rise anew. A final gambit.
"Are you sure about this, Kara?" a voice growled from the shadows of the room. Maxon, her second-in-command and former gladiator of the Augment Pits, emerged with his chromed arms glistening under the blue light. His eyes, augmented with predator sensors, flicked between her and the flickering skyline.
Kara turned to face him, her eyes glowing faintly with digital circuitry. "We've lived under the heel of the Syndicates for too long. They steal our bodies, our thoughts, and our souls with every upgrade they sell. Tonight, we take back Neon Eden." Her voice was hard, metallic, like the weapons sheathed at her waist.
Maxon stepped forward, his exo-legs humming softly as he moved. "It's suicide. The Helix Lords have the Gorgons. No one's ever beaten them. And the Seraphim Knights... they won't just sit by."
Kara smirked, her lips curling around the hard edges of defiance. "That's the beauty of it. They think we're too fractured to unite, too afraid to challenge them. But I've seen the underbelly of this city, Maxon. There are people out there, like us, hungry for freedom. And when the signal goes out, they'll rise."
Maxon’s eyes narrowed. "And if they don’t?"
"Then we burn with the rest of this rotten husk," Kara said, the neon reflections in her eyes flickering like ghosts of forgotten dreams.
From her wrist implant, she triggered the silent signal, broadcasting across the dark net. Instantly, the air around them hummed with the rising tide of rebellion. Across Neon Eden, in the alleys and sewers, in the slums and under the polished chrome surfaces of the towers, hidden warriors and forgotten outcasts received the message. The time had come.
Suddenly, the skyline erupted in flame. Explosions tore through Syndicate strongholds, sending shockwaves rippling through the city. Gorgons—towering, AI-controlled war machines—unleashed torrents of plasma fire in response, their massive forms cutting through the streets, hunting down the insurgents.
Kara slid her twin plasma blades from their sheathes, their neon edges crackling with lethal energy. "Let’s give them something to remember."
Maxon grinned, pulling his oversized railgun from his back. "I've been waiting for this."
They burst out of the penthouse into the chaos below. On the streets, rebel factions fought against Syndicate enforcers, tearing apart the city with brutal efficiency. The air was thick with the metallic scent of ozone and blood.
Kara sliced through a line of drones, her moves fluid and impossibly fast, her augmentations pushing her beyond human limits. Maxon obliterated a hover-tank with a single shot, the recoil sending him skidding back, laughing maniacally as sparks flew from his metal limbs.
But just as victory seemed near, the sky above split open. A burning light descended—white wings of synthetic feathered metal unfurled, and the Seraphim Knights, the enforcers of the status quo, descended. Their leader, a being of almost celestial beauty and terror, hovered above them, his golden mask glowing like a god's wrath.
"The Seraphim are here!" Maxon shouted over the chaos, firing wildly at the descending knights. They moved faster than his rounds, cutting through the rebels with brutal precision.
Kara narrowed her eyes. "This was always part of the plan."
From deep within the earth, rumbling echoed. The streets trembled, and from the subterranean depths of Neon Eden’s ancient tunnels, the final piece of Kara’s rebellion emerged: the Leviathan. A monstrous, subterranean war machine—a relic of a forgotten era, restored in secret. Its drill-like head burst through the ground, unleashing torrents of molten plasma into the sky.
The Seraphim Knights faltered, their ethereal forms scattering in the face of the Leviathan's raw, unstoppable force.
As the city crumbled and the dome above began to shatter, Kara stood amidst the wreckage, her body gleaming in the firelight, victorious.
The fusion of artificial intelligence (AI) and science fiction (sci-fi) is transforming storytelling in ways previously unimaginable. For decades, sci-fi has explored the potential of advanced technologies, including AI itself, but now we stand on the brink of a new era—where AI is not only a subject within these stories but also a co-creator. This shift brings exciting possibilities and complex challenges for writers, readers, and creators alike.
### 1. **AI as a Creative Tool**
AI is rapidly becoming an invaluable tool for writers and creators of sci-fi. Through advanced machine learning models, AI can now generate compelling narratives, create worlds, and even craft dialogue. By analyzing massive datasets of existing stories, AI tools can suggest plot points, help writers brainstorm, and even simulate how a character might evolve throughout a series.
Tools like OpenAI’s GPT models are already being used by sci-fi writers to enhance their creative process. These systems can help generate ideas for alien species, futuristic technologies, or philosophical dilemmas—hallmarks of the genre—freeing up writers to focus on deeper character development and world-building. AI becomes less of a replacement for the human touch and more of a creative partner.
### 2. **AI-Driven World-Building**
One of the most labor-intensive aspects of sci-fi is the intricate world-building that defines the genre. AI can assist here by rapidly generating fictional worlds, cultures, ecosystems, and technologies. AI-generated environments could be fine-tuned to fit a story’s tone and themes, offering endless possibilities for unique settings.
AI doesn’t just provide static details but can simulate how fictional societies might evolve under different technological or environmental constraints. Writers can create more dynamic and realistic worlds by using AI to simulate possible outcomes, from the rise of mega-cities to the ethical dilemmas posed by biotech or AI governance.
### 3. **Character and Dialogue Creation**
Creating authentic characters and believable dialogue in a futuristic setting is a challenge even for seasoned writers. AI can be programmed to assist in character creation by analyzing archetypes across sci-fi literature and films and generating traits or backgrounds that fit a particular universe. Similarly, AI can craft dialogue that suits a particular character, species, or futuristic culture, helping writers craft convincing interactions that align with the tone of their narrative.
For example, in stories where the protagonist interacts with AI-driven characters, AI-generated dialogue can mirror how real AI systems might communicate in the future, adding a layer of authenticity and immersion to the storytelling experience.
### 4. **Collaborative Storytelling**
Perhaps the most exciting potential lies in AI-facilitated collaborative storytelling. Imagine sci-fi universes co-created by humans and AI, where authors can input broad plot ideas, and the AI fills in the details, creating a symbiotic relationship. Writers could focus on guiding the overarching narrative while AI helps weave intricate subplots, generating alternate storylines or diverse character perspectives that enrich the universe.
This model of collaboration is especially promising for expansive, shared worlds, like the Marvel or Star Wars universes, where consistency and depth across numerous narratives are essential. AI could maintain coherence across multiple storylines, ensuring continuity while allowing for creative freedom.
### 5. **Ethical Considerations and Challenges**
Despite the potential, there are also significant challenges and ethical considerations in using AI in sci-fi creation. The first is the risk of losing the human touch—AI may be able to mimic creativity, but it lacks the emotional depth and nuance that human writers bring to their work. The fear is that over-reliance on AI could lead to formulaic, emotionless storytelling.
Moreover, AI systems are trained on vast datasets, often without consideration for originality or intellectual property. Sci-fi writers must be cautious of how much they rely on AI-generated content, as it could unintentionally draw too heavily from existing works or reinforce harmful stereotypes that might be present in training data.
Finally, there is the question of authorship. If an AI significantly contributes to a story, who owns the intellectual property? How do we give credit to AI in a way that respects both human authors and the machines that aid them?
### 6. **The Future of Sci-Fi and AI**
As AI continues to evolve, it will likely play a more significant role in the creation of sci-fi. We may see the rise of AI-generated novels, movies, and games that blur the lines between human and machine creativity. Yet, at its core, sci-fi has always been about human experiences—our hopes, fears, and dreams for the future. While AI can enhance the storytelling process, it is the human imagination that will continue to drive the genre forward.
The intersection of AI and sci-fi is an exciting frontier—one that promises to reshape not just how we tell stories, but the kinds of stories we tell. In the hands of creative minds, AI can unlock new dimensions of the genre, making the future of sci-fi as limitless as the universe it explores.
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In conclusion, AI’s involvement in sci-fi creation offers unparalleled opportunities to expand the scope and depth of the genre. However, the heart of sci-fi will always be its reflection on the human condition. As long as writers use AI as a tool rather than a replacement, the genre will continue to thrive, exploring both the marvels and the moral complexities of technological advancement.
H.G. Wells, often hailed as one of the fathers of science fiction, had a penchant for exploring the intersection of science, society, and the human condition. One of his lesser-known works, *In The Days of the Comet* (1906), stands out as a unique blend of political commentary, science fiction, and philosophical reflection. It’s a story of profound transformation—both cosmic and personal—and invites readers to contemplate what it means to be truly human in a rapidly changing world.
### **Plot Overview**
The novel is set in a time of social unrest and economic disparity, where political tensions are high, and the protagonist, William Leadford, is a young man frustrated by his poverty and the inequalities of society. The story begins with a detailed picture of early 20th-century British life, highlighting Wells' sharp criticism of capitalism and class divisions. William, disillusioned with his personal life and society as a whole, contemplates taking drastic actions to express his anger.
However, the plot takes an extraordinary turn when a comet enters the Earth’s atmosphere. Instead of causing widespread destruction, as might be expected in traditional apocalyptic fiction, the comet releases a mysterious gas that dramatically alters the consciousness of all humanity. This cosmic event leads to a universal awakening—anger, greed, and hatred are swept away, replaced by an overwhelming sense of clarity, peace, and empathy.
### **Themes of Transformation**
At its core, *In The Days of the Comet* is a novel about transformation—on both individual and societal levels. William, who begins as a bitter, resentful man, undergoes a profound internal change after the comet's impact. He, like the rest of humanity, is forced to confront the futility of his previous hatred and violence. Wells uses this to pose a question that resonates even today: What would the world look like if human nature, with all its flaws, could be fundamentally altered for the better?
The comet’s influence brings about a utopia where society is restructured. Wealth is more evenly distributed, social injustices are addressed, and people live in harmony with one another and the environment. Wells imagines a world where intellectual and emotional growth are prioritized, and where the common good takes precedence over individual greed.
### **Wells’ Vision of a Utopian Society**
*In The Days of the Comet* can be seen as Wells’ attempt to grapple with the potential for a utopian future. The novel reflects his socialist ideals and his belief that society could be improved through scientific progress and rational thought. Wells, an advocate of social reform, envisioned a world where technology, reason, and empathy could lead humanity out of its selfish and destructive tendencies.
However, the novel also raises questions about the nature of free will. The transformation brought by the comet’s gas is imposed upon humanity—people do not choose this change. Is it true enlightenment if it is externally imposed? This dilemma adds a layer of complexity to Wells' utopian vision, suggesting that a perfect society might come with its own set of challenges.
### **Reflections on Today’s World**
Reading *In The Days of the Comet* today, over a century after its publication, reveals Wells' uncanny foresight about many of the social and political issues that continue to plague us. Economic inequality, environmental degradation, and political division are as relevant now as they were in Wells' time. The novel invites modern readers to consider whether such a transformative event—like Wells’ comet—might be what’s needed to resolve these enduring challenges.
Moreover, Wells’ depiction of humanity’s potential for empathy and cooperation is a powerful reminder of the ideals we might aspire to. While the novel’s utopia may seem unattainable, it encourages us to reflect on the small ways in which we can work toward creating a more just and compassionate society.
### **Conclusion**
*In The Days of the Comet* is a rich and thought-provoking novel that showcases H.G. Wells’ brilliance as both a storyteller and a social commentator. Though it may not be as widely known as his other works, such as *The War of the Worlds* or *The Time Machine*, it offers a profound meditation on the possibility of societal transformation and the human capacity for change. For anyone interested in utopian fiction, political theory, or simply a compelling story of personal and collective awakening, this novel is a must-read.
Darth Vader is arguably one of the most iconic and complex villains in cinematic history. First introduced in *Star Wars: A New Hope* (1977) as the imposing, black-clad enforcer of the Galactic Empire, Vader's story arc transcends the typical good-versus-evil trope. His journey, deeply rooted in tragedy, loss, and the fallibility of human nature, makes him a character that resonates far beyond the boundaries of the science fiction genre.
The Rise of Anakin Skywalker
Before Darth Vader became a symbol of fear across the galaxy, he was Anakin Skywalker—a bright, talented young Jedi with extraordinary abilities. Anakin’s early life, growing up as a slave on the desert planet of Tatooine, created an inner turmoil that would follow him throughout his life. His innate talent for piloting and his strong connection to the Force marked him as the "Chosen One," prophesized to bring balance to the Force. However, from the outset, there were hints of his struggle with attachment and fear.
Anakin’s deep-seated desire to protect those he loved, coupled with his fear of losing them, sowed the seeds for his eventual fall. His attachment to his mother, Shmi, and later his secret marriage to Padmé Amidala, would provide the emotional vulnerability that the dark side of the Force would exploit.
The Seduction of the Dark Side
Anakin's transformation into Darth Vader is central to the *Star Wars* prequels, particularly *Revenge of the Sith* (2005). Despite his heroic nature, Anakin was always torn between his duty as a Jedi and his personal desires. His impulsiveness, impatience, and fear of losing those he cared about made him susceptible to manipulation.
The cunning manipulation of Emperor Palpatine (Darth Sidious) played a key role in Anakin's downfall. Palpatine preyed on Anakin’s fears—particularly his nightmares about Padmé's death during childbirth—promising him the power to prevent those he loved from dying. This twisted promise, combined with Anakin’s increasing frustration with the Jedi Council, ultimately pushed him over the edge.
In his desperate attempt to save Padmé and to gain the power he was promised, Anakin made the fateful choice to betray the Jedi Order. His allegiance to Palpatine culminated in the slaughter of Jedi at the Temple and his transformation into the dark enforcer, Darth Vader.
The Tragedy of Darth Vader
What makes Darth Vader so compelling is that he is not simply a villain for the sake of being evil. His fall is a personal tragedy. In trying to prevent the death of his loved ones, Anakin became the very thing he sought to destroy. His tragic flaw—his fear of loss—led him to destroy his relationships, his morality, and ultimately his own identity.
Vader’s imposing presence—accentuated by his black armor, mechanical breathing, and ruthless persona—symbolizes the internal death of Anakin Skywalker. As Vader, he became a tool of the Emperor, enforcing the Empire’s reign of terror across the galaxy. Yet, despite his outward coldness, Vader was haunted by his past. His transformation was never complete; there was always a part of Anakin left buried beneath the dark side.
The Redemption of Anakin Skywalker
The original *Star Wars* trilogy, particularly *Return of the Jedi* (1983), highlights the redemption arc of Darth Vader. His son, Luke Skywalker, played a pivotal role in bringing Anakin back to the light. Unlike the Jedi of the past, Luke did not view his father as a lost cause. His unwavering belief in the goodness that still existed within Vader ultimately led to one of the most powerful moments in the saga—Vader's decision to save Luke from the Emperor, sacrificing his own life in the process.
In that moment, Anakin Skywalker was reborn. He fulfilled the prophecy of the Chosen One by bringing balance to the Force, destroying the Emperor, and saving the galaxy from tyranny.
Legacy and Cultural Impact
Darth Vader’s cultural impact cannot be overstated. His iconic helmet, deep voice (thanks to James Earl Jones), and commanding presence have made him one of the most recognizable characters in popular culture. Beyond his visual presence, though, it is Vader’s story—of power, loss, redemption, and the struggle between light and dark—that makes him an enduring symbol in storytelling.
He reminds us that even the strongest and most heroic among us are vulnerable to fear, anger, and temptation. But more importantly, his story shows that redemption is always possible, no matter how far one has fallen.
In the end, Darth Vader’s legacy is not just one of power and terror—it is also one of hope.
The Den of Geek article highlights some of the best sci-fi and fantasy books currently being adapted into TV series and movies. Notable titles include *BRZRKR* by Keanu Reeves, Mary Shelley's *Frankenstein* (directed by Guillermo del Toro), *Neuromancer* by William Gibson, and *Mickey7* directed by Bong Joon-Ho. Projects span a range of genres from space exploration to dark comedy and feature big-name actors like Robert Pattinson and Amy Adams. Streaming platforms like Netflix and Apple TV+ are heavily involved in these adaptations.
In the year 2045, the skies over Los Angeles were perpetually dark, an unnatural twilight born of war. The machines had dominated the Earth for decades, hunting the remnants of human resistance with merciless precision. Skynet, the artificial intelligence that had once sought to eradicate humanity, was now the uncontested ruler of the planet.
But there was one human Skynet feared: John Connor, the leader of the resistance. And then, there was one machine the resistance both feared and relied upon: the T-800, a reprogrammed Terminator who had sworn to protect humanity’s last hope.
John stood in the underground bunker, surrounded by the hum of old, worn-out technology and the murmuring of tired soldiers. The T-800, a silent guardian, stood next to him, its human-like appearance barely masking the cold steel beneath. John glanced at the machine, thinking back to how many times this same model had saved him—and almost killed him. Trust had been hard-earned.
"We have one last chance," John said, addressing the group. His voice was firm but tinged with exhaustion. "We found a weak point in Skynet’s defenses. It’s small, but it’s our only shot. If we can infiltrate Skynet’s mainframe, we might be able to plant a virus that will cripple the system."
The T-800’s gaze shifted toward John. "The probability of success is low," it said in its monotone voice. "Skynet will anticipate an attack."
"Doesn’t matter," John replied, his eyes locked on the machine. "It’s our only chance."
The plan was simple on paper, but the execution would be deadly. The resistance fighters would infiltrate Skynet’s heavily fortified core in a last-ditch attempt to end the war. The T-800, with its detailed knowledge of Skynet's systems, would be their key to success.
As they prepared to leave, John took a moment to speak privately with the T-800. "If something happens to me down there... you know what to do," he said quietly.
The T-800 nodded. "I will ensure the mission is completed."
The battle for Skynet’s core was brutal. Resistance fighters fell one by one as they pushed through the endless waves of machines. The T-800 led the charge, cutting down Terminators with ruthless efficiency. But as they reached the central hub, Skynet activated its final defense: a new model, a T-1000, sleek and deadly, forged from liquid metal.
The T-800 squared off against its more advanced counterpart, trading blows that could shatter steel. John and a few remaining fighters rushed toward the mainframe, desperate to upload the virus. The T-800, knowing it was outmatched, resorted to the only option left—sacrifice.
Grabbing the T-1000, the T-800 flung itself into a vat of molten metal, dragging the enemy with it. As the two machines melted away, John stood before Skynet's main console, the virus ready to deploy.
For a moment, John hesitated. Could this really end it all? With one final keystroke, he activated the virus. The core hummed and sputtered. Skynet’s vast network began to fail, systems crashing one by one.
The war was over. But as John stared into the vat where the T-800 had sacrificed itself, he couldn’t help but wonder: had they really won? Or was this just another battle in a war that would never truly end?
With the machines fallen silent and the sky finally clear, John Connor turned to the remnants of his army. "It’s not over yet," he said, his voice steely. "We rebuild. We prepare. Because somewhere, out there in the future, Skynet is still waiting."
And in the quiet ruins of Los Angeles, the resistance lived on.
When fans of *Doctor Who* think of the iconic Time Lord, one name often stands out: Tom Baker. With his wild curly hair, mesmerizing eyes, and signature long scarf, Tom Baker became the face of the Doctor for a generation of viewers. His tenure as the Fourth Doctor from 1974 to 1981 remains one of the most beloved eras in the show's long history, and his influence on the character and the series is still felt today.
#### The Arrival of the Fourth Doctor
When Tom Baker stepped into the TARDIS in 1974, *Doctor Who* was at a crossroads. The show had already become a staple of British television, but the departure of Jon Pertwee, who played the Third Doctor, left some uncertainty about its future. Enter Tom Baker, an actor with a unique charisma that would soon captivate audiences.
Baker brought a sense of unpredictability to the Doctor. His portrayal was a blend of eccentricity, warmth, and a hint of alien mystery. The Fourth Doctor was both a madcap adventurer and a wise, almost sage-like figure, capable of great humor and deep empathy. His interpretation was markedly different from his predecessors, and this fresh approach resonated with viewers.
#### Iconic Moments and Companions
Baker's era as the Doctor is filled with memorable moments and iconic stories. Episodes like "Genesis of the Daleks," where the Doctor confronts the moral implications of destroying his greatest enemies before they are created, remain touchstones of the series. The Fourth Doctor’s adventures took him across time and space, from the far reaches of the galaxy to the dark corners of Earth’s history.
His relationships with his companions were also a key part of his legacy. Sarah Jane Smith (Elisabeth Sladen), one of the most beloved companions in *Doctor Who* history, shared some of her most significant adventures with the Fourth Doctor. Their chemistry was electric, and Sarah Jane’s departure remains one of the most poignant moments in the show’s history. Other companions like Leela (Louise Jameson), a warrior from a primitive tribe, and Romana (Mary Tamm and later Lalla Ward), a fellow Time Lord, brought out different facets of Baker’s Doctor, showcasing his versatility as an actor.
#### The Scarf, the Hat, and the Jelly Babies
It’s impossible to talk about Tom Baker's Doctor without mentioning his distinctive costume and quirky habits. The Fourth Doctor’s long, multicolored scarf became an iconic symbol, often imitated but never truly replicated. His wide-brimmed hat and love for offering jelly babies to both friends and foes added to the character's eccentric charm.
These elements of his costume and behavior weren't just superficial quirks; they helped define Baker’s Doctor as a unique and unforgettable incarnation of the Time Lord. The scarf, in particular, became a symbol of the Doctor’s individuality and nonconformity, traits that Tom Baker emphasized in his performance.
#### Legacy and Influence
Tom Baker’s impact on *Doctor Who* is immeasurable. His seven-year tenure is the longest of any actor in the role, and his portrayal has influenced how the Doctor has been perceived in subsequent years. Many actors who have taken on the role have cited Baker as an inspiration, and his Doctor is often the yardstick by which others are measured.
Even after leaving the show, Baker’s connection to the role has endured. He has returned to voice the character in various audio dramas and even made a surprise appearance in the 50th-anniversary special, *The Day of the Doctor,* much to the delight of fans worldwide.
#### Conclusion
Tom Baker's Doctor is more than just a chapter in the long history of *Doctor Who*; he is a defining figure who helped shape the show's identity. His eccentric, enigmatic, and endlessly curious Doctor captured the hearts of viewers and left a legacy that continues to influence the series today. For many, Tom Baker *is* the Doctor, and his time in the TARDIS remains a golden era of British television.
As new generations discover *Doctor Who,* Tom Baker’s portrayal will undoubtedly continue to be a touchstone for what makes the character so enduring and beloved.
On Sunday, the winners of the Hugo Awards, the Lodestar Award for Best Young Adult Book, and the Astounding Award for Best New Writer were announced at the 82nd World Science Fiction Convention in Glasgow, Scotland. The awards are voted on by the members of the 2023 and 2024 World Science Fiction Conventions.
Congratulations to all the winners and finalists! The full list is below.
Best Novel
WINNER: Some Desperate Glory by Emily Tesh (Tordotcom, Orbit UK)
The Adventures of Amina al-Sirafi by Shannon Chakraborty (Harper Voyager, Harper Voyager UK)
The Saint of Bright Doors by Vajra Chandrasekera (Tordotcom)
Starter Villain by John Scalzi (Tor Books, Tor UK)
Translation State by Ann Leckie (Orbit US, Orbit UK)
Witch King by Martha Wells (Tordotcom)
1420 ballots cast for 576 nominees. Finalists range 91-172.
Best Novella
WINNER: Thornhedge by T. Kingfisher (Tor Books, Titan UK)
“Life Does Not Allow Us to Meet,” He Xi / 人生不相见, 何夕, translated by Alex Woodend (Adventures in Space: New Short Stories by Chinese & English Science Fiction Writers)
Mammoths at the Gates by Nghi Vo (Tordotcom)
The Mimicking of Known Successes by Malka Older (Tordotcom)
Rose/House by Arkady Martine (Subterranean)
“Seeds of Mercury,” Wang Jinkang / 水星播种, 王晋康, translated by Alex Woodend (Adventures in Space: New Short Stories by Chinese & English Science Fiction Writers)
962 ballots cast for 187 nominees. Finalists range 106-186.
Best Novelette
WINNER: “The Year Without Sunshine” by Naomi Kritzer (Uncanny Magazine, November-December 2023)
I AM AI by Ai Jiang (Shortwave)
“Introduction to 2181 Overture, Second Edition,” Gu Shi /〈2181序曲〉再版导言, 顾适 translated by Emily Jen (Clarkesworld, February 2023)
“Ivy, Angelica, Bay” by C.L. Polk (Tor.com 8 December 2023)
“On the Fox Roads” by Nghi Vo (Tor.com 31 October 2023)
“One Man’s Treasure” by Sarah Pinsker (Uncanny Magazine, January-February 2023)
755 ballots cast for 212 nominees. Finalists range 40-117.
Best Short Story
WINNER: “Better Living Through Algorithms” by Naomi Kritzer (Clarkesworld May 2023)
“Answerless Journey,” Han Song / 没有答案的航程, 韩松, translated by Alex Woodend (Adventures in Space: New Short Stories by Chinese & English Science Fiction Writers)
“How to Raise a Kraken in Your Bathtub” by P. Djèlí Clark (Uncanny Magazine, January-February 2023)
“The Mausoleum’s Children” by Aliette de Bodard (Uncanny Magazine, May-June 2023)
“The Sound of Children Screaming” by Rachael K. Jones (Nightmare Magazine, October 2023)
美食三品 (“Tasting the Future Delicacy Three Times”), 宝树 / Baoshu (银河边缘013：黑域密室 / Galaxy’s Edge Vol. 13: Secret Room in the Black Domain)
720 ballots cast for 612 nominees. Finalists range 27-69.
Best Series
WINNER: Imperial Radch by Ann Leckie (Orbit US, Orbit UK)
The Final Architecture by Adrian Tchaikovsky (Orbit US, Tor UK)
The Last Binding by Freya Marske (Tordotcom, Tor UK)
The Laundry Files by Charles Stross (Tordotcom, Orbit UK)
October Daye by Seanan McGuire (DAW)
The Universe of Xuya by Aliette de Bodard (Gollancz; JABberwocky Literary Agency; Subterranean Press; Uncanny Magazine; et al.)
677 ballots cast for 228 nominees. Finalists range 79-117.
Best Graphic Story or Comic
WINNER: Saga, Vol. 11 written by Brian K. Vaughan, art by Fiona Staples (Image Comics)
Bea Wolf, written by Zach Weinersmith, art by Boulet (First Second)
Shubeik Lubeik, Deena Mohamed (Pantheon); as Your Wish Is My Command (Granta)
三体漫画：第一部/ The Three Body Problem, Part One, adapted from the novels by 刘慈欣 (Liu Cixin), written by 蔡劲 (Cai Jin),戈闻頔 (Ge Wendi), and 薄暮 (Bo Mu), art by 草祭九日东 (Caojijiuridong) (Zhejiang Literature and Art Publishing House)
The Witches of World War II written by Paul Cornell, art by Valeria Burzo (TKO Studios LLC)
Wonder Woman Historia: The Amazons written by Kelly Sue DeConnick, art by Phil Jimenez, Gene Ha and Nicola Scott (DC Comics)
457 ballots cast for 256 nominees. Finalists range 25-151.
Best Related Work
WINNER: A City on Mars by Kelly Weinersmith and Zach Weinersmith (Penguin Press; Particular Books)
All These Worlds: Reviews & Essays by Niall Harrison (Briardene Books)
中国科幻口述史, 第二卷, 第三卷，(Chinese Science Fiction: An Oral History, Vols 2 and 3) ed. 杨枫 / Yang Feng (8-Light Minutes Culture & Chengdu Time Press)
The Culture: The Drawings, by Iain M. Banks (Orbit)
雨果X访谈 (Discover X), presented by 王雅婷 (Tina Wong)
A Traveller in Time: The Critical Practice of Maureen Kincaid Speller, by Maureen Kincaid Speller, edited by Nina Allan (Luna Press Publishing)
775 ballots cast for 246 nominees. Finalists range 36-343.
Best Dramatic Presentation, Long Form
WINNER: Dungeons & Dragons: Honor Among Thieves, screenplay by John Francis Daley, Jonathan Goldstein and Michael Gilio, directed by John Francis Daley and Jonathan Goldstein (Paramount Pictures)
Barbie, screenplay by Greta Gerwig and Noah Baumbach, directed by Greta Gerwig (Warner Bros. Studios)
Nimona, screenplay by Robert L. Baird and Lloyd Taylor, directed by Nick Bruno and Troy Quane (Annapurna Animations)
Poor Things, screenplay by Tony McNamara, directed by Yorgos Lanthimos (Element Pictures)
Spider-Man: Across the Spider-Verse, screenplay by Phil Lord, Christopher Miller and Dave Callaham, directed by Joaquim Dos Santos, Kemp Powers and Justin K. Thompson (Columbia Pictures / Marvel Entertainment / Avi Arad Productions / Lord Miller / Pascal Pictures / Sony Pictures Animation)
流浪地球2 / The Wandering Earth II, based on the novel by 刘慈欣 Liu Cixin, screenplay by 杨治学 Yang Zhixue, 郭帆 / Frant Gwo, 龚格尔 Gong Geer, and 叶濡畅 Ye Ruchang, script consultant 王红卫 Wang Hongwei, directed by 郭帆 / Frant Gwo (中影创意（北京）电影有限公司 / CFC Pictures Ltd, 郭帆（北京）影业有限公司 / G!Film (Beijing) Studio Co. Ltd, 北京登峰国际文化传播有限公司 / Beijing Dengfeng International Culture Communication Co, Ltd, 中国电影股份有限公司 / China Film Co. Ltd)
763 ballots cast for 189 nominees. Finalists range 69-212.
Best Dramatic Presentation, Short Form
WINNER: The Last of Us: “Long, Long Time,” written by Craig Mazin and Neil Druckmann, directed by Peter Hoar (Naughty Dog / Sony Pictures)
Doctor Who: “The Giggle,” written by Russell T. Davies, directed by Chanya Button (Bad Wolf with BBC Studios for The BBC and Disney Branded Television)
Loki: “Glorious Purpose,” screenplay by Eric Martin, Michael Waldron and Katharyn Blair, directed by Justin Benson and Aaron Moorhead (Marvel / Disney+)
Star Trek: Strange New Worlds: “Those Old Scientists,” written by Kathryn Lyn and Bill Wolkoff, directed by Jonathan Frakes (CBS / Paramount+)
Star Trek: Strange New Worlds: “Subspace Rhapsody,” written by Dana Horgan and Bill Wolkoff, directed by Dermott Downs (CBS / Paramount+)
Doctor Who: “Wild Blue Yonder,” written by Russell T. Davies, directed by Tom Kingsley (Bad Wolf with BBC Studios for The BBC and Disney Branded Television)
490 ballots cast for 318 nominees. Finalists range 46-115.
Best Game or Interactive Work
WINNER: Baldur’s Gate 3, produced by Larian Studios
Alan Wake 2, developed by Remedy Entertainment, published by Epic Games
Chants of Sennaar, developed by Rundisc, published by Focus Entertainment
DREDGE, developed by Black Salt Games, published by Team17
The Legend of Zelda: Tears of the Kingdom, produced by Nintendo
Star Wars Jedi: Survivor, developed by Respawn Entertainment, published by Electronic Arts
334 ballots cast for 165 nominees. Finalists range 26-157.
Best Editor Short Form
WINNER: Neil Clarke
Scott H. Andrews
刘维佳 (Liu Weijia)
Jonathan Strahan
Lynne M. Thomas & Michael Damian Thomas
杨枫 (Yang Feng)
530 ballots cast for 179 nominees. Finalists range 40-146.
Best Editor Long Form
WINNER: Ruoxi Chen
Lindsey Hall
Lee Harris
Kelly Lonesome
David Thomas Moore
姚海军 (Yao Haijun)
254 ballots cast for 103 nominees. Finalists range 16-81.
Best Professional Artist
WINNER: Rovina Cai
Micaela Alcaino
Galen Dara
Dan Dos Santos
Tristan Elwell
Alyssa Winans
270 ballots cast for 219 nominees. Finalists range 17-66.
Best Semiprozine
WINNER: Strange Horizons, by the Strange Horizons Editorial Collective
Escape Pod, editors Mur Lafferty and Valerie Valdes; assistant editors Benjamin C. Kinney, Premee Mohamed and Kevin Wabaunsee; hosts Tina Connolly and Alasdair Stuart; producers Summer Brooks and Adam Pracht; and the entire Escape Pod team
FIYAH Literary Magazine, publisher and executive editor DaVaun Sanders, poetry editor B. Sharise Moore, special projects manager L. D. Lewis, art director Christian Ivey, acquiring editors Rebecca McGee, Kerine Wint, Joshua Morley, Emmalia Harrington, Genine Tyson, Tonya R. Moore, sponsor coordinator Nelson Rolon
GigaNotoSaurus, editor LaShawn M. Wanak, associate editors Mia Tsai and Edgard Wentz, along with the GNS Slushreaders Team
khōréō, produced by Aleksandra Hill, Zhui Ning Chang, Kanika Agrawal, Isabella Kestermann, Rowan Morrison, Sachiko Ragosta, Lian Xia Rose, Jenelle DeCosta, Melissa Ren, Elaine Ho, Lilivette Domínguez, Jei D. Marcade, Jeané Ridges, Isaree Thatchaichawalit, Danai Christopoulou, M. L. Krishnan, Ysabella Maglanque, Aaron Voigt, Adil Mian, Alexandra Millatmal, E. Broderick, K. S. Walker, Katarzyna Nowacka, Katie McIvor, Kelsea Yu, Marie Croke, Osahon Ize-Iyamu, Phoebe Low, S. R. Westvik, Sara S. Messenger
Uncanny Magazine, publishers and editors-in-chief: Lynne M. Thomas and Michael Damian Thomas; managing editor Monte Lin; nonfiction editor Meg Elison; podcast producers Erika Ensign and Steven Schapansky
338 ballots cast for 82 nominees. Finalists range 32-159.
Best Fanzine
WINNER: Nerds of a Feather, Flock Together, editors Roseanna Pendlebury, Arturo Serrano, Paul Weimer; senior editors Joe Sherry, Adri Joy, G. Brown, Vance Kotrla
Black Nerd Problems, editors Omar Holmon and William Evans
The Full Lid, written by Alasdair Stuart and edited by Marguerite Kenner
Idea, editor Geri Sullivan
Journey Planet, edited by Michael Carroll, Vincent Docherty, Sara Felix, Ann Gry, Sarah Gulde, Allison Hartman Adams, Arthur Liu, Jean Martin, Helena Nash, Pádraig Ó Méalóid, Yen Ooi, Chuck Serface, Alan Stewart, Regina Kanyu Wang, James Bacon and Christopher J. Garcia
Unofficial Hugo Book Club Blog, editors Olav Rokne and Amanda Wakaruk
286 ballots cast for 80 nominees. Finalists range 20-70.
Best Fancast
WINNER: Octothorpe, by John Coxon, Alison Scott, and Liz Batty
The Coode Street Podcast, presented by Jonathan Strahan and Gary K. Wolfe
Hugos There, presented by Seth Heasley
Publishing Rodeo, presented by Sunyi Dean and Scott Drakeford
科幻Fans布玛 (Science Fiction Fans Buma), production team 布玛（Buma)，刘路（Liu Lu)，刘倡（Liu Chang)
Worldbuilding for Masochists, presented by Marshall Ryan Maresca, Rowenna Miller, Cass Morris and Natania Barron
693 ballots cast for 230 nominees. Finalists range 28-104.
Best Fan Writer
WINNER: Paul Weimer
Bitter Karella
James Davis Nicoll
Jason Sanford
Alasdair Stuart
Örjan Westin
363 ballots cast for 134 nominees. Finalists range 27-134.
Best Fan Artist
WINNER: Laya Rose
Iain J. Clark
Sara Felix
Dante Luiz
Alison Scott
España Sheriff
180 ballots cast for 96 nominees. Finalists range 16-43.
Lodestar Award for Best Young Adult Book
WINNER: To Shape a Dragon’s Breath by Moniquill Blackgoose (Del Rey)
Abeni’s Song by P. Djèlí Clark (Starscape)
Liberty’s Daughter by Naomi Kritzer (Fairwood Press)
Promises Stronger than Darkness by Charlie Jane Anders (Tor Teen)
The Sinister Booksellers of Bath by Garth Nix (Katherine Tegen Books, Gollancz and Allen & Unwin)
Unraveller by Frances Hardinge (Macmillan Children’s Books; eligible due to 2023 U.S. publication by Amulet)
345 ballots cast for 178 nominees. Finalists range 33-56.
Astounding Award for Best New Writer (sponsored by Dell Magazines)
WINNER: Xiran Jay Zhao (eligibility extended at request of Dell Magazines)
Moniquill Blackgoose (1st year of eligibility)
Sunyi Dean (2nd year of eligibility)
Ai Jiang (2nd year of eligibility)
Hannah Kaner (1st year of eligibility)
Em X. Liu (1st year of eligibility)
349 ballots cast for 167 nominees. Finalists range 35-50.
The following nominees received enough votes to qualify for the final ballot, but declined nomination:
Best Novel – System Collapse, by Martha Wells
Best Novelette – 极北之地 (“The Far North”) by 海漄 (Hai Ya)
Best Related Work: Bigolas Dickolas Wolfwood’s promotional tweets for This Is How You Lose the Time War
Best Editor, Long Form: Natasha Bardon
Best Fan Writer: Camestros Felapton
The following nominees received enough votes to qualify for the final ballot, but were not eligible for specific reasons:
Best Novel – 天帆 (Cosmo Wings) by 江波 (Jiang Bo) – publication in 2024
Best Fancast (1) – 雨果X访谈 （Discover X）interviews by 王雅婷 Tina Wong – professional production; also qualified in the Best Related Work category
Best Fancast (2) – 铥铥科幻电波 (Diu Diu Sci Fi Radio) – also a professional production
